Monday, 10 February 2014



Butterflies by Cissy Cook

I met Sissy at the spirit of Summer fair in London with my lovely client  M and couldn't resist bringing her artwork into my designs..
The metallic paper butterflies are boxed in a taupe and Perspex frame with as many escapees as you wish, they are hand cut and  can be made into any overall shape, I chose the circular design to give the interior some movement, as I had used  linear material in the rooms & I must say it  really finished the design for me- there are standard sizes available, but I chose bespoke to fit the space, one being around 1.5m square and the other just over a metre...
so if you are looking for a talented artist suggest you try Cissy Cook ~


a toe in the water



A toe in the water...

7 years ago I went to see a gentlemen regarding his wonderful building work I had seen in a country lane en route to another client and had presented my portfolio in the hope of working together.. sadly nothing really came together however a year ago, Mr Babb sent me an email asking me to take a look at his house - the rest as they say is history...


Wednesday, 14 August 2013

A New Project

A new project - http://www.aprilhamilton.com/


Simply stunning, I recently had the pleasure of creating the most wonderful interior nestled in the English countryside. The enquiry came early last year and the client asked if I could help with a family home by introducing new furniture soft furnishings and lighting?

I drove out on a lovely sunny morning, thinking about what I could bring to the owners new home, with sat nav instructing me, I was able to just enjoy the views either sides of the lanes and the beautiful properties en route...

Reaching my destination I turned into a gravelled entrance, pushing the button of the entry system I introduced myself and the gates majestically opened onto a winding drive, I drove through with that lovely crunching sound under the car and admired the sweeping lawns and formal topiary garden, set out symmetrically in front of the house -

I took in the architecture as I walked slowing towards the front door & was greeted by the client....

The house was a perfect model to dress, with wooden flooring, high Georgian windows and a Yale conservatory, which was to die for.  My brief was to enhance and include a few items of furniture that were to stay and make the house very much into a home ~ I used my favourite paint companies which are Little green paint  and paper and paint library, for the basis of the designs, silk curtains, cream linen sofas, Perspex lamps from Andrew Martin  with wall lights from Porta Romana mixed and danced across the drawing room  upon silk rugs making one of my favourite rooms to date.

If you have a moment do look at living rooms at http://www.aprilhamilton.com/gallery/living-spaces/

I hope you will recognise the rooms I've been speaking about?


Tuesday, 6 March 2012

Choosing Curtains


The fabric and design of a window treatment have significant impact on a scheme
Much of the energy that goes into creating a pair of curtains, is that spent on searching for and deciding upon the fabric and style- both of which will largely determine the overall look of the room.
When selecting fabrics, there is often an overwhelming range to choose from. The type of fabric you choose will be governed by two things- the look you want to create, plus the other elements you want to include in the scheme. For this reason, making a mood board is extremely helpful, allowing you to see clearly how your choice of fabric and curtain style will blend with the rest of the scheme.
Fabrics & Linings
The weight of the fabric you choose will affect the way that the curtains will hang. Generally heavier fabrics are best suited to simple styles and lighter fabrics to more complex window treatments.
Curtains intended for bedrooms should have a blackout lining. Linings that face the window can be in either cream or white cotton, or you may prefer a simple two-colour print. Additionally, traditional curtains often have an internal lining that is used to add bulk and weight.
Poles, Tracks & Pelmets
How you choose to hang your curtains will also have an impact on the style of your scheme. The choice is between a metal or wooden pole in a variety of colours/finishes, or tracks which can be combined with pelmets for a neat, tailored look. The type of heading that you choose is important too- styles range from a simple gather to the more contemporary option of steel eyelets.

Thursday, 23 February 2012

Traditional & Contemporary Upholstery


TRADITIONAL

CLASSIC GOOD LOOKS
Traditionally constructed formal sofas tend to have a ‘tight back’ with no loose cushions. The back may be sprung and buttoned, too, while sofas with cushioned backs may have two or three separate cushions to create the shape. Foam filled cushions will keep their shape better than feather or fibre cushions. A loose-covered sofa or chair usually has a more casual look than a tight or fixed-cover sofa. However, loose covers have the benefit of being removable for cleaning and can be replaced to update the look, simply and cheaply.

UPHOLSTERY
Traditionally constructed sofas are made using a hardwood frame, usually beech. This is held together with dowels, screws and glue. The result is a completely solid and stable structure. The final shape is built up around the frame by using layers of padding. This padding may include woollen felt, horsehair, canvas and interlinings.
Traditionally, seat springs are hand-tied to a webbing base but some sofas will have coiled springs attached to metal strips stretching from the front to the back of the frame. S-shaped springs or serpentine springs are used for the back if it is a sprung-back design.

*TIP* It is worth remembering that the heavier a sofa is, the better quality it is likely to be.

SOFA TEST
The more hardwood it contains, the sturdier it will be. Less expensive sofas often use board, resulting in a lightweight sofa. Nudge the sofa while in the showroom, If it moves easily you should review its quality, looks and construction.


CONTEMPORARY

MODERN LINES
Modern sofas tend to have rather less detail than the traditional style. Today’s designer favours fewer but larger scale cushions. Modular pieces that bolt of click together to create either an L-shaped or curved sofa, are currently very popular, often including a ‘chaise’ section. The L-shaped sofa, whilst popular, also solves the problem of providing enough reclining space for two without the need for two separate pieces.

UPHOLSTERY METHODS
Modern pieces are made in a variety of ways, using combinations of foam, board and fibre. Its weight is still worth checking to judge sturdiness and longevity. Most modern sofas are made from blocks of dense foam, on or in a metal frame or exposed timbre frame. Sleek curved shapes with slim arms and shallow backs may be made out of particleboard covered with layers of padding, or a foam covered moulded frame. High-density foam is commonly used as it holds its shape well and can be sculpted into flowing curves or angular shapes.

BUYING A SOFA

BEFORE YOU BUY
As with any sofa, try before you buy. Low or slim-line models are not always the most comfortable for reclining. Consider the depth of the sofa from front to back as well, as your height may determine what is a suitable depth for you

CHOOSING A FABRIC
When supplying your own fabric, it is important to ensure it is rated for upholstery use and is fire-retardant. Textured and patterned fabrics are more forgiving than plain, light colours and smooth finishes.
Large patterns will create waste, as the pattern will have to be centred or matched on all sides and cushions.

*TIP* Order a large swatch of potential fabrics and view them in situ, in both natural and artificial light.

ADDED PROTECTION
It is always worth spending a few extra pounds on stain retardant. If the sofa isn’t treated, keep a stain removal kit around your home. Always blot with white cloths to avoid colour transference. All upholstery must be fire retardant by law-
A square ticket with a green edge indicates resistance to cigarettes and matches.
A triangular ticket with a red edge indicates the cover is not fire resistant but has a suitably resistant lining beneath.



Wednesday, 22 February 2012

Creating a Retreat...


Redressing the balance is dependant on a number of ingredients. When these are successfully applied a home can become an escape, a retreat.

SPACE AND LIGHT
Both elements are fundamental to establishing a mood. Observe the Sun's movements through your home and try to work with the natural light you receive. If possible, knock through walls or install glass doors.
Reflect the light around the house by using reflective materials, polished surfaces and carefully positioned mirrors.
Make sensitive furniture choices by omitting or adding where necessary to allow what remains to be beautiful and useful with room to breathe.
A NATURAL PALETTE
Neutral shades such as grey, taupe, stone and creams are easy to live with and connect to the colours provided by nature, the Earth. Being neutral, the colours are able to blend with other natural materials used within the home. The need for contrast is still important or a room can appear stark and subdued.
TIMELESS EFFECTS
Materials such as wood, stone, slate and brick have been used in construction for years. Older homes exude character through their time-worn details. Leave any blemishes, weathered timbres, old tiles and brickwork as they add charm and character to a property.
A PLACE FOR EVERYTHING
Well thought out storage solutions are essential. Ideas such as built-in options, chests, detailed blanket boxes and cubes can be used to store away clutter neatly and stylishly.


Wednesday, 15 February 2012

An Inviting Table...

Dining rooms or kitchen/breakfast rooms should feel warm and inviting as these areas are where you are most likely to share meals with your family and entertain guests. Decorate your dining area to reflect your personality and style and consider whether the room has multiple functions as this will impact on the space. Introduce an accent colour to help the room flow with related colours, objects and accessories which you can reflect throughout your tablescape. Candlelight can create a relaxed or dramatic atmosphere, depending on the ambience you are after. Warm colours are typical in dining rooms as they can feel inviting and evoke a feeling of togetherness. Chairs should complement the table and the style of the room. Simple wooden chairs or benches with comfortable cushions work for a casual look whilst upholstered chairs add impact, comfort and luxury and can also soften the acoustics of the room, should the flooring be wooden or tiled.